Tuesday, 23 February 2016

Regulations and Audience Theories

Regulations and audience theories 


As most people know advertisement plays a very important part in market economies, stimulating its growth and innovation. It is an effective way of marketing produce, making costumers aware of products innovations and keeping them aware of what the products has to offer. With this in mind it is important that to fulfil this task that advertising must appreciate to a high level of consumer trust and confidence. These advertisements must be legal, decent, honest and truthful if consumers are going to trust them. Deceived or mislead by these advertisements as well as being offended by it will look bad for the company selling the product. Bad advertising will lead to market economies suffering due to a lack of consumer confidence. So in the concern of the advertising industry all advertisements must be regulated properly to ensure this won’t happen.  There are different organizations that deal with these regulations making sure they don’t break the rules and abide to them properly. The bulk of these associations are independent companies but some like OFCOM are government funded and make sure that the advertisement industry can carry on going without a misuse of their platforms.

The Advertising Standards Authority (ASA) is a self-regulated association from the United Kingdom’s independent advertising industry. Receiving no funding from the British government they are completely reliant on the advertising industry. Their job is to act on complaints from consumers and proactively check the media to take action against their misleading, harmful or offensive advertisements. Regulating the content on advertisements, sales and promotions with in the UK; deciding whether such advertising complies with the codes of the advertising conduct.  Because the ASA is a non-statutory organization, they cannot enforce or interpret legislations. Their code of conduct imposes that; before distributing or submitting a marketing communication for publication, marketers must hold documentary evidence to prove all claims, whether direct or implied, that are capable of objective substantiation and that no marketing communications should be mislead, or be likely to mislead, by inaccuracy, ambiguity, exaggeration, omission or  otherwise.

An example of the ASA taking action on a customer complaint shows how much power this self-regulated association can have. An individual had sent a complaint about the Coco Mademoiselle advert who said that it was “sexually Suggestive” for young viewers, been shown as ad during the Ice Age 2 film. The ASA took action saying that “the sexually suggestive material was unsuitable for young children.” ending in the advertisement being banned from children’s television. The advert was still being shown but at a later time during adult programming.



The Committees of Advertising Practice (CAP) write and maintain the UK Advertising Codes, which are administered by the Advertising Standards Authority (ASA). Mainly being responsible for writing and marinating the UK advertising codes and provide authoritative advice on the rules.  The CAP made these rules to ‘ensure advertising does not mislead, harm or offend and is socially responsible’. The committee ensure good regulation having set out six commitments to provide and maintain good practice amongst businesses.

1.       We’ll keep regulatory burdens to a minimum
2.       We’ll engage with you
3.       We’ll be targeted
4.       We’ll share information
5.       We’ll provide advice and training support
6.       We’ll be transparent

The CAP’s advertising codes are vast and lay down the rules for advertisers, agencies and media owners to follow. Some of the general rule state that; advertising must be responsable, must not mislead, or offend and specific rules that cover advertising to children and ads for specific sectors like alcohol, gambling, motoring, health and financial products.


The office of Communications (OFCOM) is the British government approved regulatory and competition authority of the broadcasting, telecommunications and postal industries of the United Kingdom. Being a communications regulator their job is to regulate TV, Radio and video on demand sectors, fixed line telecoms, mobiles, postal services and the airwaves over which wireless devices operate. OFCOM make sure that people get the best possible assistance from their communication service provider and make sure that people are protected from possible scams while assuring that contest can flourish.

Audience Theories


Audience Theories allow us to understand how people react to advertising/products and how to appeal to the general target market.

“Marketing is the management process responsible for identifying, anticipating and satisfying requirements profitably.”  - The academic definition from The Chartered Institute of Marketing (CIM)

In 1960 a man called E. Jerome McCarthy created a business tool to help determine product or brands offerings. The marketing mix is specific to a set of actions, or tactics that a company can use to help promote a product in the market. This diagram on the right shows the marketing mix diagram, made up of the 4Ps –Price, Product, Promotion and place. Since this diagram has been created there has been some development to it over the years, adding other Ps into the mix. Sometimes referred to as the extended marketing mix or the Boom and Bitner’s 7Ps there has been more Ps included into the marketing mix like Packaging, positioning, people etc.  


Focusing on the main diagram, the 4Ps of marketing have different jobs to help figure how to elevate your product in the market world. First of all looking at price, this refers to the cost that is displayed for a product. This depends on how much it would have cost for the production of the product, how much the market can pay, the demand for the product and how much can be supplied.  Using different pricing strategies can enhance the image of a product.  Typically s product should always been seen as representing a good value for your money. The main tenets of this concept being that consumers are please to pay a little more for something that work really well for them.

Second of all on the marketing mix diagram is product, this referring to the item actually being sold. The product must perform deliver a good level of performance or it will disrupt the other works of the marketing mix elements. The product should do the tasks consumers want it to do, being what the consumer expected to get.

The third concept is place, this referring to the point of sales. Making sure your product captures the eye of consumers is key when aiming to for good distribution or ‘place’ strategy. Making sure you have the premium location for your products viewing is the way of a successful business. Also making sure that the product is easily accessible for your target consumers, selling your product in a easy to find shop like the high street or online.

Finally promotion, referring to activities set in motion to make your product is known to your consumers and by the trade. This can include such things as advertising, press reports, commissions and awards to trade and social media. These are all key communication tools for an organisation trying to promote their product into the market. Making sure you are putting across the right message to your audiences in the manner they would most likely hear, whether it would be educational or attractive to them.

The importance of using this marketing mix can lead your product to success. All of these concept/elements influence each other and if handled right can lead to a favourable outcome.



Another audience theory that I’ll be exploring is the AISA model. This acronym is mainly used in marketing and advertising to descried the even that occur when a consumer come into contact with a product or advertisement.  AISA is a phrase which stands for 4 different stages within consumer and advertisement engagement.


A – Awareness (awareness): attract the attention of the consumer.

I – Interest (attraction): The consumers interest of the product.

D – Desire (craving): Convince consumers that they want and desire the product.

A – Action (response): lead consumers towards taking action and/or purchasing.

These proceedings identify the cognitive stage an individual goes though when going though the purchasing process of a product. It identifies to companies how and when to communicate during each and different stage as consumers engage at different points, requiring different information throughout the stages from various sources. These steps taken carefully and thoughtfully when advertising your product can easily persuading consumers to buy your product and benefit your business. 




Unique Selling Point  (USP) also know as unique selling proposition is a concept that explains the patterns in successful advertising campaigns of the early 1940s. The term was developed by a man called Rosser Reeves a professor at Harvard Business  School. The term USP suggests that campagins making such unique selling propositions to cunsumers can convince them to switch brands.  This diffferentiating  you from other competetors , such as a lower cost, the highest quality or being the first product of it kind. Think of USP as”what you have that your competitors don’t.”

The key of making your brand or product successful is by taking USP into consideration. Before you can sell a product you have to make sure that your product will stand out from your competitors. Unless you pinpoint on what make your business, product or brand unique, you cannot target your sales efforts successfully. A successful use of USP towards your product can offer your consumers something that the other competitors cannot. This sort of tactic can be very beneficial for the company or business, helping you gain new customers.

A few examples of USPs:

-          Avis’ “We’re only number two. We try harder” Campaign.
-          Domino’s “30 minuets or it’s free” promise.
-          Fed Ex’x “When it absolutely, positively has to be there overnight.”
-          Southwest’s claim to be the lowest-priced airline.

Brand Identity is how a company wants to be perceived by the public. All the components that are related to a product, service, company or person is “brand identity.” Being responsible for creating a distinguished product with unique characteristics is how a company seeks to identify itself. A brand is unique due to its identity; this identity is how an organisation can communicate itself to the consumers thought its branding and marketing strategies. Some of the components of the brand are the tune, trademark colours, trademark, logo, tagline and typeface. These components provide familiarity and differentiation to consumers. The examples below show you some of the elements of brand identity and how it works.

-          Tune: Britannia (“ting-ting-ta-ding”)
-          Trademark colours: Pepsi (The blue colour associated with pepsi’s logo)
-          Logo: Nike (Nike’s tick logo)
-          Tag Line: Apple (“Think different”)

The essential aspect in branding is being clear about what you are offering, whether it’s a product, service or person.  Being consistent and maintain an image plays a big role in as it will be describing the expected results of a product. This is a proposal/promise from the organisation to consumers about what their product is and what it stands for.

Audience

There’s a wide range of studies that have looked at the audiences role in media communications. Some study’s like the NRS Social Grade help us understand the difference between different groups of people, broadening our understanding of large groups of people within media and help marketers determine how to appeal to certain groups (target audience).


The NRS Social Grade is a demographic classification system based on occupation used in the United Kingdom. Derived from the British National Readership Survey (NRS) being used to classify readers; now being used by many other organisations for wider applications becoming a standard for market research.  


The way this table works is by classifying members of a household according to the occupation of the Chief Income Earner (CIE). To be able to assign a social grade accurately to an individual they would ask questions about not just what their CIE’s job is but rather their qualifications and the number of people they are responsible for. This helps establish the social grade of an individual, placing them into the table above.

The grades are often split into two groups ABC1 and C2DE. These two groups equate the middle class and the working class of an individual. Around 2% of the UKs population is identified as the Upper class but it’s not included into the classification scheme. This sort of classification can help the media give an idea of what their target audience is and what sort of disposable income they have so they know who to pitch themselves to when trying to sell/advertise a product.



 
-             Occupation
-               Annual Income
-               Disposable Income Current and desired lifestyle
-               Media Interests
-               Buying Habits
-               Loyalty to brands
 

 
-               Age
-               Gender
-               Religion
-               Race
-               Sexuality
-               Education
 
Following from the NRD Social Grade is target audience or audience profiling. Similar to the NRS Social Grade audience profiling lets businesses determine the audience demographic/consumers to find out their targeted selling point. This is a great way for businesses to find their target audience before they advertise and market their product. A target audience is a group of people most appropriate and connected to a media product that the company is trying to sell to. The way they determine an audience is by following a list of factors that they must consider when trying to aim their product at a target audience.























[UNFINISHED]

Friday, 12 February 2016

Different Structures & Techniques of Advertising

Different Structures & Techniques of Advertising
TV is very important medium of advertising. It covers a Massive geographical area and Market units. Depending on the audience and product or service, the form of an advert will vary. There are many types of Television advertisements on our screens compared to a few years ago and are mostly categorised into form and style. These styles and forms help promote the product or service to the right target audience. This allows the audience to connect and or recognise the advert, promoting the brands product or services.
Structure (Form)
-          Animation

Animation is the act of movement created by displaying a series of pictures, or frames. There are a wide range of techniques used in animation from 2D images all the way to Computer –Generated Imagery (CGI). It is used for many reasons like grabbing the attention of audiences keeping them engaged as we all being able to quickly and concisely communicate your message. Animation is also used to help create the impossible which otherwise wouldn’t be able to re-create in real life as well as creating a sense of surrealism. Some disadvantages of using animation in TV advertisements is that if you use too much it can become quite distracting and annoying for the views potentially putting them off the product or service. Creating even the simplest animation can be very time consuming and costly, needing the skills used in software and animating techniques is a must to create a decent looking animation.
Examples:
The John Lewis Christmas Advert (2013)
https://www.youtube.com/watch?v=NW2EmATcb6o
The ‘Running with Cats’ Advert by MoneySuperMarket.com




-          Mini Fictions

In many scenarios TV advertisements commonly favour the use of a mini fiction narrative. This type of commercial advertising centres around the idea of a very short story, typically not much longer than a minute long.  These narratives include a main individual/protagonist who is presented with a situation within which they have to successfully operate to overcome some sort of problem or issue. The characters main function in the advertisement is to connect/identify with audiences helping establish some sort of relatable feeling to the narrative occurring.  Mini fictions are structured like a short story or film, usually ending with the reveal of the product at the end of the advert.  The success of a mini fiction is centralized around the use of aesthetic cinematography and mise-en-scène to give it the feel of a TV show or film instead of an advertisement.  This captures the viewer’s attention to the product/brand compelling them to recognize and remember the advert. These narratives can create a sense of suspense gripping viewers all the way though until they announce the product or plot at the end.  The problems with mini fictions is the cost, time and effort to create them, due to the vast detail and authenticity when being produce leads to exceeding costs.
Examples:
The ‘Make Love. Not War.’ Lynx Piece Deodorant | Lynx UK
‘Left Twix or Right Twix?’ Twix TV Advert
-          Documentaries

The documentary style of advertising is commonly used by charities and by government organisations for infomercials.  These types of advertisements are relatively low-budget due to the fact that they don’t take much creativity to make, having a simplistic style. The features of this type of advertisement are the use of a narrator addressing the viewers acknowledging their presence and therefore giving it the feel of a documentary. Being most popular with charities they typically use facts and information to inform viewers of the charity, telling a sad non-fictional story without exaggerating anything. This can grab the attention of viewers often getting people to donate to their foundation.  One of the disadvantages of this style of advertising is that there are so many that people can be put off from donating all together as well as not having enough money to donate to more than one cause at  a time.


‘Monday’s Dog’ Dogs Trust TV Advert
‘Homeless’ The Salvation Army | Christmas Advert
-          Talking Heads

Talking heads is a form of advertising when a customer who has supposedly used a product before talks directly to the views explaining how good the product is and how it has impacted their lives. Using Real people to feed back on the product they are trying to sell helps the audience relate to the people in the adverts and hence the products. This is because they are normal everyday people who are usually in the same situation as the viewers, establishing that connection. These remarks/recommendations can be exclaimed by a popular celebrity or a professional expert on the product being advertised.  This form of advertisement is most commonly used on house hold products like toothpaste, makeup or hair removal etc but can be applied to most products. These types of adverts use little creativity and mainly focus on persuading the audience to purchase their product. Sometimes they will use a comparison with rival products using an expert (like a dentist for toothpaste) and highlight how their product is better than the other.
‘Yasmin’ Oral-B Toothpaste Advert

Cillit Bang Advert with Barry Scott
-          Stand Alone

One of the most common forms of TV advertising is stand alone adverts. Stand alone ads are advertisements which present a product or service which is not like any existing advertisements for that brand, product or service.  They are rarely longer than a minute and don’t usually offer any complicated narratives or extremely creative elements. The main aim of this advertisement is to just simply attract/persuade the audiences to buy their product.  There isn’t really a significant element that defines or creates a standalone advertisement because they are mostly all different. Usually being more unique it stands out from others but can quite easily loose brand identity for the product or company within the advert. 

‘Yell 118 247 Directory Heaven’ By Weebl TV Advert


-          Series Advertisements

Series advertisements are similar to mini fiction however the message that they are putting across is usually know before the end of the advert. Compared to the ‘stand alone’ this form of advertisement promotes the same brand/product. The series has a continuing narrative from advert to advert; this allows the audiences to identify with the product being shown without even seeing it. Normally these adverts use the same characters throughout the different commercials or having the same scenario making them very recognizable. Commonly having some sort of humorous twist as well as incorporating lots of creativity and lots of cinematography. Sometimes these adverts stretch on for many years becoming more recognizable but can get very boring and annoying very quickly for the viewers.
‘Cats with Thumbs’ By Cravendale
‘Gold Blend’ Nescafe – Antony Head
Style

Now that I have explored the different existing forms of advertisement, I’ll now be looking at style. This being fairly similar to form but instead of looking at how the avert is presented it is looking closely at the route that the advertising body wants the commercial to go down.  Meaning that they can convey how their advertisement is viewed by the audience, communicating the message they think would be the most effective. This style of an advertisement mainly aims to target certain people focusing on small micro-elements of the advert.  This can be conveyed though a range of techniques like shock, humour and emotions etc. 

-          Humorous

Humour is a common style of advertising being broad and appealing to most people. When creating these adverts the main focus is on how they are going to aim the humour at the audiences. This is because the sense of humour will be aimed at audiences that the product is made for. Usually the humour can be tongue in cheek being quite silly and can easily stick in our minds. The problem with this style of advertisement is that it can be quite hard to achieve. If the joke is unfunny or taken offensively it can turn into a massive market disaster.     

‘Mr T’ Snickers Advert
‘Tea’ Aldi Advert
-          Surreal

Surrealism is combining unrelated and irrelevant elements to create weird and bizarre scenes. This style of advertisement can be over the top and can quickly grab the attention of the consumer. Normally these advertisements have nothing to do with the product or anything related to it whatsoever.  Typically surreal advertisements use the strange nature of surrealism to gain media attention and get people talking about the advert. Sometime they are used for a certain brand rather than a product as it is better to gain popularity though your brand rather than product, getting it more widely known.  They can easily fall into the trap of having an unfunny surreal advertisement that many not be weird or gross enough for people to take interest. This can have a bad effect on your company and your firm.

‘David Lynch’ Playstation 2 Advert
‘Belly’s Gunna Get Ya’ Reebok Advert
-          Shocking/Dramatic

This style of advertising can be a risky option to take but can be very effective if pulled off properly. The use of shocking and dramatic scenes can very easily grab the attention of audiences compared to other styles.  Shocking the audience is key here as it would imprint the message of the advert into their minds. This is typically done in an unpleasant manor making the audience feel sad/bad as well as distressing and horrifying them. This style is most commonly used for health and safety messages or government warnings such as crossing roads and anti-smoking campaigns. The shocking imagery they would show would make the audience feel negative and unpleasant, then associating that feeling when for example you come across smoking, unsafe environments or bad behaviour. Some of the problems with this sort of advertisement is that they can be very off putting to audiences getting in danger with certain regulations like the Committee of Advertising Practice (CAP) or the Advertising Standards Agency (ASA).
‘DOE Road Safety’ Irish Road Safety Advert
‘If London Were Syria’ Save The Children 2014


https://www.youtube.com/watch?v=fSIpARmq2WI
 Sex

Sex, an effective method of advertisement with a simple message: if you buy our product, women with have sex with you. A style of advertisement is effective in the way which it grabs your attention just like a shocking/dramatic advertisement, instead it grabs your attention in a sexualised way though presenting attractive females or males on screen. Such commercials can also be seen though personal identity, giving you the impression that if you use the product that women will be attracted to you, vice versa making  women feel sexy. It is very challenging to ignore these sexualised messages due to our normal human behaviour of desiring to be attractive and to propagate.  These styles of advertising are commonly associated with health and beauty products but can range from alcohol, cars, gaming and fitness.  Some of the problems with this type of advisement are the controversy behind the sexual implications shown; being offended by any viewers can lead to the advertisement being taken down.

‘Secret Obsession’ Eva Mendes – Calvin Klein

‘Fallen Angels’ Excite Deodorant – Lynx
https://www.youtube.com/watch?v=PqD5SecdNbs


-         Celebrity Endorsements

Celebrity endorsements are a good way of advertising your product and getting it recognized by audiences.  This style of advertisement involves a well know person using their fame and notoriety to help promote/sell a product or service. This helps audiences connect with the celebrities on screen this increases consumer's remembrance of the advert, consumers are more apt to remember an ad that is linked with a celebrity endorsement. It can also make a person feel like they have reached a level of super stardom just from purchasing the product been shown on TV. This style of advertisement is commonly used by manufactures of perfumes and clothing but can be applied to almost anything. Some of the problems with this type of advertisement is that it can be very expensive (depending on the person) to hire the celebrity to feature in your advertisement.

Xbox One Advertisement: Aaron Paul

H&M Bodywear: David Beckham

-          Parodic/Intertexual

Parodic/intertextual adverts make reference to other existing products and texts, making fun of the original subject matter. If the advert intertextually/parodically references a film, the meaning and/or humor of the advert may only be understood/appreciated by the audiences if they are familiar with the film.   The meaning of the text may be dependent on the viewer’s knowledge of the reference making it unfunny and confusing. This style of advertisement can be funny, comedic and recognizable which makes it enjoyable for audiences who are familiar with the reference and or joke. Usually this style of advertisement can be applied to almost anything as long as it is appropriate. The down side of this being that people not understanding the jokes or references leading to confusion.

‘Dallas’ Cadbury Fingers Pomo

‘The A-Team’ 118 118

-          Nostalgic

Nostalgic adverts play on the fondness of the past therefore making the audiences remember the ancestral days of a product or brand. Commonly referring to past events or advertisements of a product or showcasing the growth of the brand gives the sense of nostalgia. These advertisements give the audience the feeling of a long lasting relationship and long lasting quality with the product. This sense of a long lasting relationship grips the viewers thus making audiences connect with the product. These sorts of advertisements can get boring over time being shown on TV as well as making it feel dated.

‘122 years’ Hovis Advert

‘Child of the 90s’ Internet Explorer